2025 – the year of European literature

In 2025 I’m going on a journey across European literature. Each month, I will focus on a specific European country, listen to the voices of its authors and read the stories that define its cultural landscape.

It will be a year of uncovering the richness of European writing, classic masterpieces and modern gems, and sharing my reflections with you.

In January, I will begin with Italian literature, which screams beauty and introspection. I plan to read an old favourite by Alba de Céspedes and Cesare Pavese, a new recommendation. I will also return to Elena Ferrante‘s Neapolitan Novels, which vividly depict friendship, ambition, and the social fabric of Naples.

In February, I will take a peek at Bulgarian literature through the works of Gheorghi Gospodinov. His innovative, sort of post-postmodern narratives, offer a glimpse into the landscape of Bulgarian identity and history.

March will shine a spotlight on Swedish literature, known for its introspective and often haunting literary voices. I plan to read Linda Boström Knausgård, whose writing is both raw and lyrical, as well as The Gravity of Love by Sara Stridsberg, a contemporary novel I’m very curious about. Additionally, I will return to Selma Lagerlöf, an old childhood favourite who might have something more to offer.

April will take me to the Czech literature, home to some of the most puzzling stories in Europe. I will return to old favourites: Milan Kundera, who writes of the philosophy of the human condition, and Franz Kafka, whose surreal and existential tales have influenced countless writers, including my favourite Romanian writer, Mircea Cărtărescu.

May will be dedicated to the richness of Spanish literature. I will read works by Javier Marías, known for his elegant and philosophical prose, and Manuel Vilas, who was the literary sensation of 2018. To fully capture the breadth and depth of Spanish literature. I will round up the month with and a selection of Spanish short stories.

In June, I will turn my attention to Moldavian literature, closely related, and sister, to Romanian literature. I look forward to returning to my favourite Moldavian writers, Liliana Corobca and Tatiana Țâbuleac, and also discovering a new voice – Valentina Șcerbani.

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